A New York Times Book Review Editors’ Choice. A fierce memoir of a mother’s murder, a daughter’s coming-of-age in the wake of immense loss, and her mission to know the woman who gave her life. When Sarah Perry was twelve, she saw a partial eclipse; she took it as a good omen for her and […]
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A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon. A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up […]
Read More - Sweet Nothings: Confessions of a Candy Lover
Set in Wyoming and India, the stories in Cowboys and East Indians explore the immigrant experience and collisions of cultures in the American West as seen through the eyes of outsiders. From Indian motel owners to a kleptomaniac foreign exchange student, a cross-dressing sari-wearing cowboy to oil-rig workers, an adopted cowgirl to a medical tourist […]
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Mexican Americans and other Latinos make up more than 22 percent of Colorado’s population, play a vital role in its major economic sectors, and are becoming a political force to be reckoned with. Yet most official histories of the state mention them only in passing. Latino Colorado fills this gap in the literature by examining […]
Read More - Latino Colorado: The Struggle for Equality in the Centennial State
What is it to write a poem? What work do words do when placed with care and vision into the intensely charged space of poetic effort? How to Draw a Circle does not seek to answer those questions, but to encounter them as fully and honestly as one can. The thread running through the essays […]
Read More - How to Draw a Circle: On Reading and Writing
In Guinea’s capital city of Conakry, dance is everywhere. Most neighborhoods boast at least one dance troupe, and members of those troupes animate the city’s major rites of passage and social events. Guinea’s socialist state (1958-84) used staged African dance or “ballet” strategically as a political tool, in part by tapping into indigenous conceptualizations of […]
Read More - Infinite Repertoire: On Dance and Urban Possibility in Postsocialist Guinea
Bloodied, but still singing, the atmosphere is not a perfume it is odorless addresses America. In one take, a chromapoetics that examines the “red, white and blue’s” dubious semiotics, in another, an extended ode project that conjures our emblems of Empire, the poems in atmosphere––in their configurations of apostrophe, atomization, song, dialectic, eucharism, etc.––attempt to […]
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“Devon Fulford’s gulp is not a collection to be slowly sipped – it’s one to be swallowed whole, with gusto. Her punk poetry pulses with raw emotion and elegant craft, commanding your attention like a sharp snap to the spine. Each poem strikes with such visceral honesty, you’ll find yourself gulping both from the gut-level […]
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The sixteenth-century pictorial manuscript known as the Codex Borbonicus contains a remarkable record of the eighteen Mexica (or “Aztec”) festival periods of twenty days, known as veintenas, celebrated during the 365-day solar year. Because its indigenous artists framed the Borbonicus veintenas with historical year dates, this volume situates the annually recurring rituals within the march […]
Read More - The Codex Borbonicus Veintena Imagery: Visualizing History, Time, and Ritual in Aztec Solar-Year Festivals
Mari Sandoz’s The Battle of the Little Bighorn encouraged a change in how Americans viewed this infamous fight. By the mid-twentieth century a towering Custer myth had come to dominate the national psyche as a tale that confirmed national exceptionalism and continental destiny. Sandoz set out to dismantle this myth in an intimate account of […]
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