Set in Wyoming and India, the stories in Cowboys and East Indians explore the immigrant experience and collisions of cultures in the American West as seen through the eyes of outsiders. From Indian motel owners to a kleptomaniac foreign exchange student, a cross-dressing sari-wearing cowboy to oil-rig workers, an adopted cowgirl to a medical tourist […]
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Mexican Americans and other Latinos make up more than 22 percent of Colorado’s population, play a vital role in its major economic sectors, and are becoming a political force to be reckoned with. Yet most official histories of the state mention them only in passing. Latino Colorado fills this gap in the literature by examining […]
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Cowboys and East Indians (Playwright/adaptation of the story collection) Commissioned by the Denver Center for Performing Arts, Denver, Colorado, Colorado New Play Summit, February 2024.
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When Martin Luther King Jr. spoke in 1963 during his March on Washington, he famously said in his “I Have a Dream Speech” that he dreamed that his “four children [would] one day live in a nation where they would not be judged by the color of their skin but by the content of their […]
Read More - The Virtue of Color-Blindness
Whenever political and social decisions use categories of identity such as race, religion, social class, or nationality to distinguish groups of people, they risk holding certain groups as inferior and culturally “Other.” When people employ ideologies of imperialism, colonialism, patriarchy, and classism, they position certain groups as superior or ideal/ized people. Such ideological positioning causes […]
Read More - Communicating the Other across Cultures: From Othering as Equipment for Living, to Communicating Other/Wise
For three decades, Cape Town’s Magnet Theatre has served as a crucial space for theatre, education, performance and community throughout a turbulent period in South African history. Offering a dialogue between internal and external perspectives, this book analyses Magnet’s many productions and presents a rich compendium of their work. Cape Town’s Magnet Theatre has been […]
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What does it mean to perform whiteness in the postcolonial era? To answer this question—crucial for understanding the changing meanings of race in the twenty-first century—Megan Lewis examines the ways that members of South Africa’s Afrikaner minority have performed themselves into, around, and out of power from the colonial period to the postcolony. The nation’s […]
Read More - Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
Contradictory to its core, the sitcom—an ostensibly conservative, tranquilizing genre—has a long track record in the United States of tackling controversial subjects with a fearlessness not often found in other types of programming. But the sitcom also conceals as much as it reveals, masking the rationale for socially deviant or deleterious behavior behind figures of […]
Read More - Comic Drunks, Crazy Cults, and Lovable Monsters: Bad Behavior on American Television
A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage. In Soil: The Story of a Black Mother’s Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden […]
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This book analyzes two pieces by American composer George Crumb (1929-2022) as artifacts of American collective memory of war. *Black Angels* (1970) has long been associated with the Vietnam War, even though its relationship to the war specifically has changed over time. *Winds of Destiny* (2004) is specifically about the Civil War and shows how […]
Read More - War and Death in the Music of George Crumb: A Crisis of Collective Memory