Shattering Perspectives: A Teaching Collection of African Ceramics. A collaborative, student-generated exhibition catalog exploring ceramic arts from across the African continent through vessels and objects from the permanent collection at the Gregory Allicar Museum of Art at Colorado State University. Edited by David M. M. Riep, Ph.D. Features original research on ceramic arts across the […]
Whenever political and social decisions use categories of identity such as race, religion, social class, or nationality to distinguish groups of people, they risk holding certain groups as inferior and culturally “Other.” When people employ ideologies of imperialism, colonialism, patriarchy, and classism, they position certain groups as superior or ideal/ized people. Such ideological positioning causes […]
A special quality about the medium of virtual reality is its immersive nature, allowing users to disengage from the physical world around them in order to fully interact with a digital environment. An Artistic Approach to Virtual Reality traces the lineage of artist/technologists who have worked with virtual reality in its infancy to the interactive […]
This wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. […]
Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft International Contemporary Craft Competition and Exhibition, began in 1987 and was originally initiated by area artist Georgia Leach Gough. Now in its 33rd year, the exhibition shows the top national and international artists as we celebrate the evolving field of […]
The FOOTPRINT biennial at the Center for Contemporary Printmaking is one of the most competitive international juried exhibitions in the world, specific to printmaking. Submitting artists are required to produce work at a scale of 12″ x 12″ utilizing any hand-pulled printmaking process. Johnny Plastini’s work “Exegesis of Transmissions from the Astral Plan” employs a […]
Acting as poetic records of light, the poems in Variations on Dawn and Dusk follow the sun as it warms, cools, colors, and shifts the space of Robert Irwin’s untitled (dawn to dusk) in the desert of Marfa, TX. Built on the footprint of the town’s old hospital, Irwin’s permanent installation is a remarkable structure […]
The use of the visual arts as an expression of identity is not a new concept. Archaeologists, anthropologists, and art historians have long established the notion that material culture can express group identity through repeated codes of cultural symbols that form unique styles. Such styles can be recognized by cultural “outsiders,” and help contribute to […]
Incorporating human sacrifice, flaying, and mock warfare, the pre-Columbian Mexican ceremony known as Ochpaniztli, or “Sweeping,” has long attracted attention. Although it is among the best known of eighteen annual Aztec ceremonies, Ochpaniztli’s significance nevertheless has been poorly understood. Ochpaniztli is known mainly from early colonial illustrated manuscripts produced in cross-cultural collaboration between Spanish missionary-chroniclers […]
Among Southeast Alaska’s best-known tourist attractions are its totem parks, showcases for monumental wood sculptures by Tlingit and Haida artists. Although the art form is centuries old, the parks date back only to the waning years of the Great Depression, when the US government reversed its policy of suppressing Native practices and began to pay […]
!["Trypophobia" is a handmade recycled paper piece [57" x 22"] by Plastini that relates psychological trauma to lived physical experience and visceral response mechanisms](https://www.libarts.colostate.edu/wp-content/uploads/2020/02/Trypophobia-plastini-300x300.jpg)
